Hypothyroidism Constant Headaches

Le filmmaker Jafar Panahi Retourner ne doit pas en prison / Filmmaker Jafar Panahi MUST NOT return to prison! Letter of support

We learn with anger and anxiety the decision of the Court of the Islamic Republic in Tehran, overwhelmingly condemning the Iranian filmmaker Jafar Panahi. The sentence: six years in prison, twenty-year ban on writing and directing films, to give interviews to the media to leave the country and to interact with foreign cultural organizations.

Another filmmaker, Mohammad Rassoulov, was also sentenced to six years in prison. Jafar Panahi Mohammad Rassoulov and will join the Many prisoners languishing in jail in Iran, in a state of total distress. Some make the hunger strike, others are seriously ill.

What's wrong with the Iranian government Jafar Panahi? Of having conspired against his country and led a campaign opposed to the Iranian regime. The truth is that Jafar Panahi was innocent and that his only crime is to want to continue to freely practice his craft as a filmmaker in Iran. For several months the Iranian government has set up against him a war machine to destroy it, to lock him by forcing him to shut up.

Jafar Panahi is a filmmaker and his films were shown worldwide. Invited by most major film festivals (Cannes, Venice, Berlin), he is now prevented from continuing his work as a filmmaker. The heavy sentence that strikes deprives him of freedom, physically and morally prevented from exercising his work as a filmmaker. It must now be silent, refrain from any contact with his fellow filmmakers in Iran and worldwide.

Through this sentence strikes Jafar Panahi, the Iranian cinema is all that is clearly targeted.

This conviction we revolt and we are shocked. So call us filmmakers, actors and actresses, screenwriters and producers, all film professionals as well as all the men and women who love freedom and for whom human rights are a fundamental thing, to join us in demanding the lifting of the conviction.

Join the call alongside the Festival de Cannes, SACD, the French Cinematheque, the ARP, the Swiss Film Archive, the International Film Festival of Locarno, the Forum des Images, Positive, the SRF, Cahiers Film, Citéphilo (Lille), France Culture, the Mostra Internazionale d'Arte di Venezia Cinematogafica, Culturesfrance, the Directors' Fortnight, Sarajevo Film Festival, Film Gindou, Simone Audiovisual Center de Beauvoir, Centre Culturel Pouya.





ENGLISH VERSION



We have just learnt, with great anger and concern, about the judgement of the Court of the Islamic Republic in Teheran, heavily condemning Iranian filmmaker Jafar Panahi.

The sentence: six years of imprisonment without remission, accompanied by a ban of twenty years on writing and making films, giving interviews to the press, leaving the territory, or communicating with foreign cultural organisations.

Another filmmaker, Mohammad Rassoulov, has been likewise sentenced to six years in prison. Jafar Panahi and Mohammad Rassoulov are going to join the many prisoners now rotting in jail in Iran in a state of total distress. Some are on hunger strikes, while others are gravely ill.

What does the Iranian government reproach Jafar Panahi with? Having conspired against his country and carried out a campaign hostile to the Iranian regime.

The truth is that Jafar Panahi is innocent and his only crime is wishing to continue to freely exercise his profession as a filmmaker in Iran. Over the last few months the Iranian government has put into place against him nothing short of a machine of war in order to destroy him, while locking him up to silence him.

Jafar Panahi is a renowned filmmaker and his films have been shown all over the world. Invited by the greatest film festivals in the world (Cannes, Venice, Berlin), he is today prevented from pursuing his work as a filmmaker. The heavy sentence inflicted upon Jafar deprives him of his freedom, while preventing him both physically and morally from carrying out his work as a filmmaker. Henceforth, he must remain silent, refrain from any and all contact with his fellow filmmakers both in Iran and anywhere else in the world.

Through this sentence inflicted upon Jafar Panahi, it is manifestly all of Iranian cinema which is targeted.

This sentence both revolts and scandalises us. So, let us call upon all filmmakers, actors and actresses, screenwriters and producers, all motion-picture professionals as well as every man and woman who loves freedom and for whom human rights are fundamental, to join us in demanding the lifting of this award. Join the call

ALONGSIDE

of the Cannes Film Festival, SACD, the French Cinematheque, the ARP, the Swiss Film Archive, the International Film Festival of Locarno, the Forum des Images, Positive, the SRF, the Cahiers du cinema Citéphilo (Lille), France Culture, the Mostra Internazionale d'Arte di Venezia Cinematogafica, Culturesfrance, the Directors' Fortnight, Sarajevo Film Festival, Film Gindou, Audiovisual Centre Simone de Beauvoir, Cultural Centre Pouya.

http://www.ipetitions.com/petition/solidarite-jafar-panahi/

Trichomoniasis In Men Dormancy

Manuel Gómez

Left Foot Swells Every Day

LETTER OF SUPPORT AND MANOLO GOMEZ

The Cultural Services of the French Embassy in Spain continues and will continue to support as it has for 20 years, the draft Manolo Gómez Cinematheque. This is a key player in the cultural life in Seville and a fierce defender of good cinema in general and French cinema in particular. Even before the arrival of democracy to Spain, Manolo Gomez made it possible for groups of Seville had access to works of the greatest French directors, often as a premiere in Spain. Several generations of Seville have been able, thanks to him, discover the best of European cinema from the Nouvelle Vague to the current independent film with the same constant commitment to provide premium programming.

Manolo Gómez was decorated as Knight of Arts and Letters in 2001 thanking him for his commitment and dedication to culture and for its role in promoting cultural diversity. His work has been essential in maintaining diversified film Sevilla bid, which could not unfortunately exist in the classical music circuit. Therefore, the French Embassy in Spain will continue to support initiatives to promote Manolo Gómez offer quality films for Seville.

Seville, November 12, 2010

DI ROSA

Victoria Cultural Attache of the Embassy of France in Spain

How To Identify Beans

LAUNCH FILM FESTIVAL DE MAR DEL PLATA IN THE HOUSE OF THE PROVINCE














Pictured Gral.Pueyrredon the Mayor Gustavo Pulti,
and President of the Foundation ASTOR PIAZZOLLA Piazzolla
Sra.Laura climbing.

November 1, 2010
Astor Piazzolla Foundation participated in the
LAUNCH FILM FESTIVAL XXV
MAR DEL PLATA IN THE HOUSE OF THE PROVINCE Rodolfo J.
Valenta, provincial director
Home of the Province of Buenos Aires, accompanied
Juan Carlos D'Amico, president of the Instituto Cultural
;
Liliana Mazure, head of the Inca Gustavo
Pulti, mayor of Gral.Pueyrredón,
and José Martínez Suárez,
the launch of the 25 th International Festival of Film
Mar del Plata, Gustavo Pulti, Mayor Gen.
Pueyrredón
attended to ratify the League
link to the
marplatenses world cinema since 1954,
thanks to the Festival and thanked the Foundation Astor Piazzolla

for allowing the use of the figure of Maestro. Piazzolla
for awarding the prizes "Astor."

Calories In Chicken Chow Main

Astor Piazzolla and his Quinteto Tango Nuevo - Adios Nonino

Hair Stylist Themed Birthday Cake

PIAZZOLLA dazzled in the heart of London

Piazzolla dazzled in the heart of London
by Nino Ramella


+ Astor Piazzolla, Argentine, "but in Mar del Plata",
according to their own references,
loved the last few hours on Friday, more precisely, to an audience that filled the church
St. Martin-In-The- Fields in Trafalgar Square
there in the very heart of
London, opposite the National Gallery.

The concert was called "Vivaldi-Piazzolla.
Four stations at Candlelight" by the Trafalgar
Sinfonia, which is the new name of former
chamber group led by Ivor Setterfield
was known as
New London Soloists Orchestra.

Piazzolla's first topic,
closing the first part started with the
Brandenburg Concerto No. 3 Bach
followed by the Spring of Vivaldi's Four Seasons
was Verano Porteño. At
English ... well, this heterogeneous community of diverse origin
living
London, nothing ever gets its inveterate
moderation. It was evident without
But it sounds coming out of the woods
-but not exactly the
strings, as is often the work of Mar del Plata-
surprised many
and good way to judge from the applause that came close to
final chord.

It was not just the music of Piazzolla
As regulars captivated music lovers that
site, which stand
churches since 800 years ago, although the present is the beginning of S.
XVIII. The virtuosity of violinist Magnus Johnston
be dazzled by
undertaken this work as if the soul of Piazzolla
revived not only in composition but also
manner of implementation.

was a wonderful end of the first part,
and then resumed the concert with Vivaldi Autumn
. Invierno Porteño
came quickly and again the unique feeling of what happens
in a room when you hear it
surrender any resistance. The violin
this time was sublime. The candles and the church impeccable
restored to perfection without losing
its ancient air, I could not move in a more forceful
this
marplatense who had the wonderful opportunity to be there for
view and, above all, feel.

The concert continued after the
Sinfonia for Strings (Alla Rusticana) and
Vivaldi Concerto for Two Violins in C minor by Bach, where the violinist
aforementioned
joined his colleague Helen Davies, achieving a memorable dialogue .

Applause asked for more. The surprise was that unscheduled
, Trafalgar Sinfonia
and above all the excellence of Magnus Johnston, assailed
Oblivion Piazzolla.

At the end of St. Martin-In-The-Fields
find a wet and drizzly night,
to remind us that we were in London.
Admiral Nelson, whose celebrated
column stands in the middle of the square that bears the name
of the battle in which the glory and death
came together, seemed pleased with the melody
Piazzolla.
will become more so when we complete the organic
chamber group with an accordion. Very close to Leicester Square opened
bustle of Friday night
extending stronger us into the
Soho. However, nothing replaces the
beautiful music that emerged from the genius of Argentine
, "but in Mar del Plata."

Omen In Wheelchair Giving Blowjob

Interview ASTOR PIAZZOLLA Tango

Allergic Reaction To Barry M

returned, as was our obligation ... Proposals

Dear friend s @ s:

As we said a few months ago, be back in October and as always full of new and "intense" emotions to begin our journey film, this time, most especially since the next year, March 4, 2011, age 20, there is nothing.

occasion of this special character, we were designing a series of activities to celebrate this occasion. From time to impotence of stakeholders, all the programming, the common and particular is parked to the "coming months." Obviously we will lose something along the way, because as you know, some of the films have an expiration date on your circulation. Needless to say that for us is a huge extortion as it not only breaks a project that, as always, elaborated with great care and some other effort (more than some think.)

seems that the crisis also affects the feelings, which we do not agree that the situation and limitations set has always been a constant in our long history. This crisis has been with us always (Unfortunately), so that's no excuse to stop a program that has always moved in the balance. To values \u200b\u200bsuch as altruism are pulverized by these institutional and economic hardships that we all invade. The fact that at this point and with a lot of movies waiting in the projection booth, and will continue their long journey.

is paradoxical that in this situation, the statistics for the last two years have been quite significant, a slight increase in viewers in the midst of this situation is still cause for some hope. Powerful incentive to move forward. On the other hand we have always considered the film and show concitación "mass" needed to survive but, perhaps, with other premises. We have maintained a schedule of 150 films a year and about 35 mm, simultaneously with the new technologies. We do not believe therefore that it is time to abandon ship, if not keep working to get it back afloat. However

wind and storms persist that this will not go forward, not only are the ones who can wreck but that pile of bodies for 20 years with us and make it possible for almost all weekends event occurs to make several projections. Especially our French friends always present.

surreal dyes that may have this letter, where not too many things clarified, are due to structural problems. For our part we are left with frustration and anxiety to see (and go ...) and projects that have serious vocation are decimated without any hint of mercy. There is nothing new in a field called Culture

militancy in order cinephile dear, we will contact you to inform you of how events evolve. For now ... our faithful projector Galaxy X, who has accompanied us all these years, remained silent and uneasy with the risk of being oxidized. It's the same feeling I felt before this virtual reunion maintain with you all.

confident that with the arrival of the new year, we can continue the activities, but these months of Advent be quite complicated for us. See you in January ... A big hug.

Jobs For Pregnant Women In Columbus Ohio

Cycle
Great Ladies of French cinema
In collaboration with the Cultural Services of the Emabajada of France, Alliance Française

A tribute to the great ladies of French cinema through a small selection of films: Casque d'or , Jacques Becker, La cérémonie , Claude Chabrol, La Baie des Anges , Jacques Demy, Roman de Gare , Claude Lelouch, Ma saison préférée , André Téchiné, 8 Femmes, François Ozon.



Cycle Film French police
In collaboration with the Cultural Services of the French Embassy, \u200b\u200bAlliance Française

During the months of November and December, the UGT Film film devotes a cycle to French police . The proposal takes viewers on a tour of the genre, showing that the French black film was developed with the same trrascendencia that the U.S. and, while remaining always open to his influence, ended up defining characteristics. Offenders had more elegant, quiet and reflective.

The series features films from the most representative exponents of the time, including Jacques highlights Becket, Henri-Georges Clouzot, Jean Pierre Melville, Xavier Beauvois. Quai des Orfevres, L'Etrange Monsieur Victor, Le corbeau, Touchez pas au grisbi, le petit lieutenant, Cercle rouge


contemporary Mexican film series
In collaboration with the Institute of Mexico in Spain

A tour of the last films made in the Aztec nation.

love in order, by Salvador Aguirre. Vaho , Alexander Gerber. Vitorio , Alex Noppel. Spiral , Jorge Pérez Solano. Roundtrip by Gerardo Tort.


regular cycles: The Film premieres, in short, the seventh game
Special
20: Animemarathon, Meeting with Agnes Varda

Dimensions Of Dune Buggy

RUBEN BLADES-VISIT FOUNDATION CONCERT










occasion of his participation in the
Festival de Tango de Buenos Aires, visit the Foundation
Astor Piazzolla,
singer Ruben Blades,
was chatting with the President of the Foundation

Ms. Laura Escalada Piazzolla.
Below are photos of the visit with members of the Civil
Astor Piazzolla.

M Jak Milosc Nowe Odcinki On Line

ASTOR PIAZZOLLA HISTORY OF TANGO starring Julia VAT-Germer










The Ministry of Culture of the Nation and Astor Piazzolla Foundation
have

PIAZZOLLA-THE HISTORY OF TANGO ASTOR PIAZZOLLA

-MARTINEZ DUO VAT in Flute & Guitar Directory


Suite "Histoire du Tango", "La Historia del Tango" Brothel
1900 1930

Café Night Club 1960 Concert Today



Adios Nonino Absence of Bachín

Chiquilín
Oblivion
The Palais de Glace, the July 18, 2010 at 18:00 free entrance


'''''''''''''''''''''''' '''''''''''''''''''''''''''''''''''''''''''''''''' Astor Piazzolla
''''''''''''
is a prolific author
as musically distinguished by its strength
of assimilation and a faculty of synthesis
remarkable. To the extent that in his numerous works

we find this exquisite Historia del Tango,
(L'Histoire du Tango, in original), for flute
y guitarra,que retrata a
través de sus cuatro movimientos los
contrastes de la evolución del tango,
después de sus orígenes
populares. Es como una autobiografía
musical,donde como un "divertimento",
se entremezcan los ritmos
en deliciosa filigrana de épocas
que conforman la leyenda del tango.
Laura Escalada Piazzolla

Harris Floatbote Manufacturer

Federico Fellini. The circus of illusions

"Federico Fellini. The circus of illusions "is about creating the myth Fellini, analyzes it, looking to understand and display. The exhibition includes a dispersed iconography, writing a body with numerous photographs, drawings and films so far unpublished. To avoid an excessively biographical sample departs from the strictly chronological data and features Fellini through their obsessions. Focusing on the images that inspired him, which he dreamed, they built ... thus establishing a dialogue between still images and animations.

This exhibition is a kind of visual lab with a double ambition: on the one hand, contribute to the renewal of the model of reading the work of filmmaker and, secondly, to confront the way to expose film. Sometimes deviates from the Fellini film for more broadly address the twentieth century. The Century of Cinema, of course, but also of the press, the media, the television and advertising. In short: the century of the image or, more specifically, the century of the image factory.

"Federico Fellini. The circus of illusions "is structured around four main areas: Fellini and popular culture; Fellini at work, the city of women, and Fellini or invention biographical. Within these broad areas are developing a series of thematic modules that discuss issues that cross the work of Fellini, who is fascinated and obsessed him. Issues such as music hall and circus, cartoon or graphic novels, sea monsters or rock and roll, the reconstruction of reality in Cinecittà, women in all its polymorphism, the ambiguity of their religious feelings, reality testing imagination, psychoanalysis and dreams, their relationship with the media, his attraction to the illustrated press, his revulsion at the television, his disdain for publicity, the inventor of words ... The exhibition not only reveals some of the mechanisms of creation Fellinian, also through a thorough analysis of the context of his work explains the film in a new look.

Federico Fellini. The circus of illusions
CaixaForum Madrid
from 15/07/2010 to 26/12/2010
Monday to Sunday from 10.00 to 20.00 h. CaixaForum
Madrid, Paseo del Prado, 36. 28014 MADRID

Can A Diaper Rash Have Fluid Bister

Nearly 20 years is nothing (XXXVIII)

and Bird King (Le roi et l'oiseau), Paul Grimault
France, 1980 Developed at the Cinematheque
UGT, November 11, 2007 Le Cycle
in long s'anime / Film Classroom

This was the work of a lifetime Grimault animator. Incomplete, was launched in 1952 by its producers as The Shepherdess and the Chimney Sweep . Should almost three decades (and the death of screenwriter Jacques Prévert) to Grimault reunited with their material, it rounds off a film more.

King "Carlos V Plus Three are Eight Sixteen Eight," a tyrannical master of the kingdom of tachycardia. Only one bird, smiling and talkative, which has built its nest on the tower of the palace, dared to stand up. The king is in love with a lovely pastor, emerging from one of the paintings of the palace, embodies every night to meet with the sweep that comes, for its part, the neighbor table. The king wants to marry her, but the girl who truly loves is his humble love. They decide King's escape and hide in the top of the tallest tower in the palace, where inprudente save a bird that has been caught in a trap of a tyrant. The bird rebel grateful for this heroic act towards one of their young, promises to aid in their escape

Hotpoint Iced Diamond Rl64p Fridge

Way People without receiving a Special Mention at the Film Festival

The documentary is a co-producer Lemendu Seville Films and Audiovisual Productions
Nanuk Aragon Jorge
Tsabutzoglu The documentary received a Special Mention at the Film Festival Martil, Morocco, which has the mission to be a bridge between Latin American and Arab cultures.

The endorsement was decided in the words of the jury for its originality in the treatment of history. This is already their second international reference after being recognized as the Third Best Documentary at the 4th Anthropology Film Festival in Vancouver, Canada.

The documentary is a co-producer Lemendu Seville Aragon Nanuk Films and Audiovisual Productions and directed by Jorge Tsabutzoglu, malagueño.El original documentary, with music from Sevilla, Miguel Torres, has gone through numerous national and international festivals, including them, the Independent Film Festival Mompox (Colombia), the Festival of Documentary and Social Anthropology of Buenos Aires, the Molisecinema Film Aspekty Italian Festival or Film Festival, anthropological and ethnographic film, Torun (Poland).

http://www.festivaldemarti l.ma /

Glucerna Causes Diarrhea

Martil The Planet of the Morlocks

display a selection of snapshots that show the work of Barbara Shunyi stills while filming Pluto Series BRB Nero, directed by Álex de la Iglesia for English Television. Pluto

BRB Nero is a series directed by Álex de la Iglesia, who narrates the adventures of Pluto spacecraft BRB Nero in search of a habitable planet for 5000 hibernated settlers carrying in its hold and hold and save humanity. The name of the ship for the planet Pluto, the company Biotechnological Research Badajoz (BRB) and Nero, which is its constructor.

The year is 2530. The situation on Earth is desperate ... For years nothing remains of the ozone layer. Uncontrolled building of flats at the North Pole causes rising water by removing cities as New York, London or Benidorm. The human race survives in wetlands crowded stinks epidemics, floods and real estate.

In 2500, the President of the United States of the World, Maculay Culkin III begins its mandate with two controversial decisions: one, change sex again and two, to send a spacecraft into space. Their goal: finding a habitable planet, and escape from this huge mistake called Earth. This series follows the adventures of a group of English marines during the search for a habitable planet to save humanity on Earth because there is no room for more people and to build more homes.

Municipal Art Gallery Painter Olías Charo. Zamorano Juan Bautista Cultural Center. Avenida Aramburu
Macua. Isla Cristina (Huelva).
From 26 July to 1 August. from 21.00 23.00 h
Islantilla has
Cineforum

Dangers Of Cystoscopy And Bladder Polyps

Film UGT. Our little story. Course 09_10-January to March 1910

-noforcemparms Cs Launch Settings

The subversion of the images. Surrealism, photography and film

Mirror: anything that reflects or gives an image of something
Subverting the picture: real upset

Exhibition co-produced with the Centre Pompidou brings together 300 photographs, a hundred papers and 10 films in which you can see how members of the Surrealist movement celluloid used to make their own revolution.

addition to classics like 'The Golden Age', also be designed experimental or theoretical evidence of the author. This is the case of the film by Man Ray, one of the that has generated most interest, and for 8 minutes shows a Pablo Picasso with a drink in one hand and a English mantilla over her head. The film is titled 'The Garoupe' and was filmed in 1937. The exhibition includes pieces by André Breton, Dalí, Giacometti and Magritte, Cartier-Bresson, Gala Dalí (before Eluard), Brassaï, Max Servais or Eli Lotar.

The Subversion of Images as
From June 18 to September 12, 2010

MAPFRE FOUNDATION. Institute of Culture. Paseo de Recoletos
# 23 Quentin Bajac
Commissioners, Clément Cheroux, Guil Laume Le Gall, Michel Poivert, Philippe-Alain Michaud
CENTRE Production Pompidou, Paris, in collaboration with:
- Fundación MAPFRE, Madrid
- Fotomuseum Winterthur, Winterthur

www.exposicionesmapfrearte.com / subversion

Ankles Of A Ballerina

Nearly 20 years is nothing (XXXVII)

Small arrangements with the dead ( Petits Arrangements avec les morts), Pascale Ferran
France, 1994
was screened at the Cinematheque on Oct. 25, 1997
within the series "Panorama of the new French film"

A beach in summer. A man builds a sand castle and is watched by three people: his brother, sister and a child. All were marked by the death of someone close. Award winner for Best Debut Film at Cannes 1994. Notable

first feature film of director Pascale Ferran, these "little arrangements with the dead" with emotion and humor describe the different ways of being traversed by the grief of a loved one in an intelligent story that evokes childhood as a metaphor film and that, despite the grief suffered, is a celebration of life.

"Plane after plane, Pascale Ferran has been able to observe a crescendo at sunset that gradually darkens the film " Didier Peron

Breakfast Essentials Shake

MARTINEZ Carlos Gardel and Astor Piazzolla













Con motivo de cumplirse hoy 24 de junio del 2010,
75 aniversario de la desaparicion fisica del
cantante CARLOS GARDEL,ponemos una carta que
ASTOR PIAZZOLLA, he wrote in 1978.
Buenos Aires, 1978,

Dear Charlie: Charlie calling
Perhaps you remember the kid
13 years living in New York, was
Argentina and played the accordion. Canillita
also worked with you in
The day I want. I put Charlie
when you asked me at home how
Carlitos said in English,
Do you remember when you took a wooden doll that my dad had carved
? This morning I have devoted
two photos, one for
Vicente Piazzolla and one for "the cute kid and great bandoneon player
future."
From 1934 to today, 1978, spent 44 years
and not really missed.

Remember when I wore your
films at Paramount Studios in Long Island?
February 1934, the worst snowstorm of the year,
two meters high and 10 below zero, I'm your translator
pibas compliments to you wanted to know.
never forget the two bikes that grabbed
Tito
Lusiardo and broke trying to keep warm.
afternoons I used to walk you buy clothes at department stores
New York.
traveled Sacks, Macys, and finally bought Florsheini
your blissful shirts with vertical stripes and
horizontal. Dozens of them patent leather shoes,
borsalinos, etc., as if you
twine left over. I showed my city (
was proud to know both, well ...
eleven years that I lived there), especially my neighborhood,
Greenwich Village, where you had to know the best
Italian cantinas, and you,
buzzard with problems you care;
excluding the times you came home to sample the ravioli of the Nonin
Asunta and a final
quince fritters.
do you like to eat well!

never forget the night you offered a roast
shooting ended of the day I want.
was an honor of Argentines and Uruguayans who lived in New York
. Alberto
remember Castilian should I play the piano and bandoneon,
course to accompany to you singing.
I was crazy lucky that the piano was so bad I had to play
myself and you sang
themes of the film. What a night, Charlie!
There was my baptism with the tango.

First tango in my life and accompanying
Gardel! I'll never forget. Shortly after you left with Lepera
and your guitar to Hollywood.
Do you remember you told me two telegrams
for me to join you with
my bandoneon? It was the spring of 35
and I met 14 years. The old
I gave permission and the union either.
Charlie, I was saved! Instead of playing the bandoneon
would be playing the harp.

begins a new era in my life.
Back in Mar del Plata on 36.
I grab the crush of music and study
madly bellows. My bandoneon
and I are going to Buenos Aires and
debut with Aníbal Troilo. Do you know who was Troilus?
He was you playing the bandoneon. It's like saying your successor.

We were in 1939 and for 4 years you were God. Your films and records
rose desperately. Giles
now discover that you sang well.
you remember that moment when
preferred to listen to other singers. Your
theater was empty. Your trip to Europe was prescient and your
presentations are increasingly important.
After the United States, your films,
Hollywood, Central and Medellin,
the end of the route. You know one thing ...
to I do not like the airplane, except that it took you
catramina. But ...
after your absence
start new characters appear in Buenos Aires.
Charlie ... he ruined the lives of singers,
those who used to say: Thank goodness, it Gardel was laburo
and more for us and another answered:
Guarda, boys who are the discs. Building
now appears
a new social class: the widows of Gardel,
characters who bought or had your records. Automatically

became radio announcers and "critical", plus all
said they were friends of yours and never had
ever seen. These people have formed their clan
throughout Argentina,
Uruguay, Colombia, Venezuela and many
countries, almost 45 years living
thanks to you. But there ends the matter. After 1936
are born Gardelian
Gardelion, Gardelitos or Gardeluchos. They are oddballs
using your smile, your very pilchas
, your own way of walking and talking
, but they can not do is sing like you
. Charlie, I know you'll
dying of laughter, no wonder.
I can tell you most wanted to be singers
Gardel, Gardel
was all. Here we have run the ball
your discs tested at night, so
sings better every day. Story

a nice, Charlie. Some teachers
edge of the Teatro Colón do listen to your albums
song model, and I am sure that you will always be
watching
up from there and think that I would have liked to sing the great tangos
of 40:
also I had written for you and you have made arrangements
and would play the accordion. Killing
, Charlie. The only thing that I would not
used in the orchestra is the harp. There will
a collection of all colors
You who know the angels, why do not you ask them to change
the system and mess
a bandoneon in the orchestra? Look

which are the fat Pichuco, Maffia, Laurenz
. I'm excited too
and I prefer to wait to be me who organize
that orchestra.
I will work, or as we say today,
"I have a recital." I will think about the kid
Piazzolla when you told him:
"now brings the music and give Arrabal amargo
everything." It was the spring of 35 and was born
duet Gardel-Piazzolla.
am a lucky guy.
Someday we'll meet in the top floor.
Waiting, but ... do not die ever. ASTOR PIAZZOLLA
.

Meagan Goods Hair Cut From The Game

OPENING THE FILM LIBRARY ... Overflow

Like Gemini where, with an elegant technique in this brutal Rabies, spoke of incest, now provides another extreme proposal , visceral, shown without any qualms, as the sequence of pork, such as naturalization of violence that is breathed from the cradle in the field, something that can not run away, which grows , and that is shown in all its truth, away from the idealization of rural and those who dwell in it, which usually appear as characters always noble and committed. Survivors, as named by John Berger, underclass in any political system. Albertina Carri

gives us moments of fascination and repulsion other, forming a well-oiled as sharp as a mixture in which shows both the beauty of the countryside, the ugliness of the human soul and the innocence of children (the latter shown with the support of a very successful animated creepy.)

Because rabies infected dogs, violence also spread, we all are having on others, on the most vulnerable. About animal sex, pictures of girls (Almost abstract and do not interrupt the rhythm of the film), the relationship with animals, all is violent and crude.

could spend the entire filmography of Albertina Carri, made only three films in the upcoming exhibition "Women and Cinema" to verify that it is all done without compromise, is bold, provocative discussions source , somewhat pretentious and futile. Perhaps too interested in frightening the bourgeoisie and being uncomfortable at any price.

Command And Conquer Tiberiom Wars Interrupted

Val del Omar

Profile José Val del Omar (Granada, 1904 - Madrid, 1982) can not be assigned to a particular item of business too, but had its greatest prop in the film. Belonged to a generation that believed in it as an art in its own right rather than a new opium for the masses. But if it is linked to the film medium as a creator of Doom, meager force, at least, as the footage is preserved today. An eccentric within English cinema, Val del Omar spent much of his time exploring technological issues concerning both the movies and the challenges in his time (the talkies, in relief, color, widescreen ...), as in other fields including electroacoustic radio, television and educational applications of the media. Some of his inventions sought practical solutions, while others penetrated into the notion of total show with a visionary flair unusual, even more if one considers that many of the ideas in this area and made public between 1928 and 1944.

addition, Val del Omar always kept abreast of the latest media technologies and came to glimpse the possibilities that opened with cybernetics, laser, digital video and the concept of mixed media. This exhibition, the most comprehensive to date dedicated to the artist, offers an exploration of his poetics through the various languages \u200b\u200bof those who served, from photography, film, collages and sound recordings to the design and implementation of devices and optical devices, recording and projection. This was divided into a course that plays to his life through the following chapters: the period of the Educational Mission, the laboratory PLAT (Picto stands for Audio Light Touch, a concept designating the practice to which he aspired), poetry art and Elemental Triptych of Spain (the trilogy in which he collected his films paradigmatic). The exhibition is completed with "The crypt lit" (Palacio de Carlos V) monograph which gathers the images that inspired Granada and the Alhambra.

www.centroguerrero.org

May 13, 2010 / July 4, 2010
Centro José Guerrero
C / Trades 8. Crypt
Granada Palacio de Carlos V Monumental Complex of the Alhambra and the Generalife
C / Real de la Alhambra s / n. Granada

September 14, 2010 / 28 February 2011.
National Museum de Arte Reina Sofia, Madrid

Milena Velba Need To Marry Me....lol

Film UGT. Our little story. Curso09_10. October-Diciembre_09

Tongue An Kidney Problems

Friday June 18, 2010, 20 h: Flandres, Bruno Dumont

Flanders (Flandres) of Bruno Dumont

France, 2006. 91 '. 35 mm
vose War and Peace Cycle Single pass

In collaboration with Cultural Services of the French Embassy in Spain and the French Alliance

" a somber reflection on the barbarity of war and the bestiality of man, only compassion can save a tremendous performances ... beautiful ... "Variety

Explain the process that makes a movie in action remains a mystery. For "Twentynine Palms" was a sensation. The stealth character as police inspector in "The Life of Jesus" inspired me to "Humanity."

If you ask me why or how, I can not answer. The important thing for me is to describe a story with images and sounds. The job of a director is like that of a painter. Matisse wrote that the important thing in painting is not the subject, but how things are arranged around the subject, its proportion. Flanders, for example, is a mystery to me. I was born there. My relationship is visceral, sensitive, in other words, is not driven by reason. The camera becomes a microscope or a lens positioned on the subject ... Need land to shoot humans. In his film, Flandres is an aspect of human existence. I need a story because stories are the natural movement of our lives, our connection with others. Making the film is like knitting. The war "Flanders" is an expression of our desires conflict. Bruno Dumont

Flanders Flanders Interview with Bruno Dumont The Cinema of Bruno Dumont Considerations for Dumont

Creative Titles For Project On Anorexia

suspended session, Thursday, June 17, 1920 h

Film

UGT. Information note

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The meeting scheduled for Thursday June 17 1920 h: Nazario, Luis Buñuel is suspended

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UGT Theater
Thursday 17 June 19.30

Girls premiere of tile

IMO AB PECTORE
From the depths of the heart

Four female characters in the Greco-Roman literature is face to contemporary texts set in the subsequent years the English Civil War. Medea, Ariadne, Antigone and Penépole, four stories that the time has not been able to erase

Freewomen Extreme Curves

Thursday June 17, 1920 h. Nazario, Luis Buñuel Film

Nazario, Luis Buñuel's
Mexico, 1958 . 94 '. Single Pass Digital
see
Cycle Luis Buñuel in Mexico

In collaboration with the Institute of Mexico in Spain

In the Mexico of the early twentieth century, the humble priest shares his poverty Nazarín needy living around the inn chamfer. After protecting a prostitute who leads the fire of the inn, Nazario is forced to leave. On his way, the actions of religious cause a series of conflicts that oppose his vision of Christian charity. Nazario

represented the first meeting between two great English: first Buñuel, the most important filmmaker Hispanic, on the other, Benito Perez Galdos, the greatest English novelist after Cervantes. The project had in mind Buñuel since 1948, when the director worked on the adaptation of Doña Perfecta (1950), another work by Pérez Galdós Buñuel which owned the rights.

A trick producer Buñuel Francisco Cabrera left without the opportunity to film Doña Perfecta (1950), which ended up being directed by Alejandro Galindo. It took ten years for which Buñuel had again the opportunity to bring to the screen his particular vision of the universe Galdós.

Buñuel's interest by Pérez Galdós was late. In his youth he seemed outdated this writer belongs to a generation of the famous "98 - but away from his, the of 27. It took several years for Buñuel began to appreciate the elements and characters of the work of Pérez Galdós:

"It was in exile when I started really reading it, and then I was interested. I found in his works elements that could even call 'surreal': crazy love, crazy visions a reality with moments of intense lyricism. Nazario is a novel in its final stage and not the most accomplished, but his story and his character are exciting, or at least I suggested many things bothered me. "

The film marked the first and only collaboration with famed producer Buñuel independent Barbachano Manuel Ponce, who made significant contributions to Mexican cinema, while remaining outside the industry stagnant official which began to present serious problems of bureaucracy and union closure.

Located in the Mexico of Porfirio Diaz, Nazario was initially criticized for not sticking to the Mexican context of early twentieth century. "That does not matter much," said Buñuel. "If it's not Mexico or Spain is a country which can show in the film. Apart from that you know that in many details, if not they, they themselves in others, Mexico is English. It is and not is, that makes it more interesting. "

Nazarín contains several of the more disturbing and enigmatic images of the Bunuel films. The Laughing Christ, the child cries dragging a sheet from an empty street, the kiss becomes a bite or a woman giving the protagonist a pineapple have become the subject of countless discussions in which Buñuel, funny, always refused to participate. "I was intrigued as much as you," he said. "There is no metaphysical theories in my films."

cinemexicano.mty.itesm.mx

Nazarín Nazarín

Can Stress Cause Snoring?

UGT. 17 and 18 June 2010 CINEMATECA



Thursday June 17, 1920 h Nazario, Luis Buñuel
Mexico, 1958. 94 '. Single Pass Digital
see
Cycle Luis Buñuel in Mexico

In collaboration with the Institute of Mexico in Spain

In the Mexico of the early twentieth century, the humble priest shares his poverty Nazarín the needy who live around the inn Chanf. After protecting a prostitute who leads the fire of the inn, Nazario is forced to leave. On his way, the actions of religious cause a series of conflicts that oppose his vision of Christian charity.

Friday 18 June 20 h Flandres, by Bruno Dumont France 2006
. 91 '. Single 35 mm
vose
pass
War and Peace Cycle
In collaboration with the Cultural Services of the French Embassy in Spain and the French Alliance

This drama, played mostly by actors or pseudo-debutantes debutantes, revolves around of Demester (Samuel Boidin), a young man who divides his time between the farm where he works and Barbe (Adelaide Leroux), a sensitive teenager, a friend since childhood, which he dares not consider his girlfriend.